Thursday, 17 March 2016

OUGD502 - PPP2 - End of Module Evaluation

Creative Report was a great way to interact with the professional world and ask some questions that I was eager to know the answer to. Emailing current designers also allowed them to learn my name and hopefully remember it for future conversations. I specifically targeted agencies I could see myself working for and most importantly were near by. Rueville Magazine is a publication based in Manchester that has only just begun, founded by two students. I can already see they have a strong direction and ambition towards the project which I highly admire, the graphic style of the magazine, I believe is very similar of my own. My aim is to carry on my contact with Rueville and see if they would have me to help with one of the Issues over the summer. Emailing designers also showed me how competitive the industry actually is, Emailing over 6 people with only 2 replies made me realise that emails don’t stand out and a face to face conversation or nicely design letter will make much more of an impact.

Moving onto ‘Taking Care of Business’ where I was able to work with people of my choice. I have always enjoyed working within a team and this project allowed the team to push for something more than just a project that needed to be completed for the module. Everything ran smoothly within the group and we were able to produce something unique a little out of all our comfort zones. Experimenting with film and stop motion reinforced my personal outlook on the design world, reminding me that I don’t want to be just limited to the title of ‘Graphic Designer’. Although our presentation was unique and personal to our business ethos, one thing that was pointed out that the presentation lacked, was that we didn't display any examples of our own work. In a similar fashion to how we showcased which stock we would use, we should shown examples of our own work so the client could get a really sense of how we work.


The final task, ‘Design Strategy Presentation’ came really easy to me, because after all it was all about me. I didn’t use any notes for my presentation to ensure it flowed nicely and I was looking down at a notebook. I addressed appropriate personal issues and tried to show clear direction of where I want to take my personal practice next. My design of my personal branding hasn't changed but I gave solid reasoning why within the presentation. However, since last year when I had labelled myself a Graphic Designer, I have since changed it to ‘Creative Thinker’. I don’t want to limit myself within the design world. I am interested in many areas of design that I am still yet to explore, such as, interior design, film and many more. 'Creative Thinker' allows people to enquire about what I specialise in and creates a talking point for me.

OUGD502 - PPP2 - Studio Brief 01 - Creative Report - Physical Report

To produce a physical piece of work for one of my interviews, I reviewed the questions and designed something based on Jacobs interests. Taking a look at some of the blogs he recommended and drawing inspiration from his modernist references lead me to what I have designed. The first time I designed the report I used red and white to reinforces the modernist theme I was trying to achieve. However, I decided to change the colour palette to Yellow and Black. Creative Concern is a Manchester based studio, as is Jacob a Manchester based designer and a lot of his heroes/influences are from Manchester. The yellow and black was taken from the Manchester bee.

 I wanted the report to also be more than just an interview so I dedicated one side of the leaflet to a quote from the interview that really stood out to me and inspired me. After reading the interview, the quote can double up as a poster and give the physical document meaning and not be something that would just lie in draw after one read.














































































Wednesday, 16 March 2016

OUGD502 - PPP2 - Study Task 01 - Taking Care of Business - Video Link

https://vimeo.com/156551575

OUGD502 - PPP2 - Studio Brief 02 - Personal Branding

This is my mock-up business card. The two colour choices I have gone for are bright red and bright white. When thinking about my personal style as I designer, I realised how much I love type and minimalistic design which I have tried to represent through my design. The C on the front of card will be embossed to give the design a unique style and will be something that will only be appreciated when produced physically. The typeface is Akzidenz-Grotesk, which to me is a beautiful minimal sans serif typeface and represents who I am as a designer perfectly. I think the most important part of my information is definitely my name so I have chosen to set that in red. Last year I had labeled myself a Graphic Design, however, this year I have changed it to 'Creative Thinker'. I dont want to limit myself within the design world. I am interested in many areas of design that I am still yet to explore, such as, interior design, film and many more. 'Creative Thinker' allows people to enquire about what I specialise in and creates a talking point for me.





OUGD502 - PPP2 - Studio Brief 02 - Design Strategy Presentation



Here are the slides that I presented for my Design Strategy presentation. I tried to make the presentation as visual as possible to maintain the audiences attention. Considering the presentation was all about myself, I didn't take any notes up with me and just spoke freely to which ensured the presentation was a bit more 'human' like. I feel I addressed a lot of appropriate matters within my presentation and showed a clear direction of where I want to take my personal practice next. My personal branding hasn't changed but I gave solid reasoning why within the presentation. My next step is to produce some physical elements of my branding such as business cards.
















Tuesday, 15 March 2016

OUGD502 - PPP2 - Studio Brief 01 - Creative Report - Rueville Magazine - Jack Glover

Hey charlie,

I hope these answers are OK. Please keep us informed with feedback.

Why did you and Jack/Jacob decide to partner up and start Rueville? What barriers have you encountered so far making your journey into the professional world difficult?

Myself and Jacob have share very similar interests in design and lifestyle. It’s almost inevitable that we would come together at some point to conduct a self initiated brief based around all of our interests. 
As a student your imagination of hierarchy is exaggerated, especially for the creatives you look up to. Half of the time these designers are more approachable than your tutors.

Do you both have different roles to play in your partnership? Who does what?

We work 100% in harmony together. It’s like our ideas should form a jigsaw, its just finding the right pieces to form the final thing. Another reason why its perfect to be referencing similar sources and inspirations.

How do you see your studio’s character and ethos? Does this help with gaining contributors? 

LEAVE YO EGO AT HOME . 
I suppose us as individuals form the partnership but in a slightly cheeky way. Rueville started as the raw little brother of magazines like Huck, eye, juxtapose or even creative review.
We stay true to being professional, yet we’re also follow a brief of 60% clean 40% dirty.
We’re a little bit like when Madlib became Quasimoto. Stay true to your core and the followers will sure tag along.

How would you describe your design process, from idea to final resolution?

We are very separate with initial ideas and then slightly clash heads. We both know each others weak links and that’s when the fun begins. Having someone to feed off is key in a creative role. 

What are your inspirations within the design world (or outside)? 

Top 5 - 
Ricky (trailer park boys)
Josef Muller Brockmann
The invisible Jazz Cigarette
Nasir Jones
J dilla

Finally, Where do you see Rueville in the future?

Hopefully selling well and producing some really nice work. Mainly Staying true to our brief and having a blast!

-- 
Jack Glover
Rueville Magazine

OUGD502 - PPP2 - Studio Brief 01 - Creative Report - Rueville Magazine - Jacob Critchley

Rueville Magazine

Why did you both decide to partner up and start Rueville? What barriers have you encountered so far making your journey into the professional world difficult?

It all started with a friendship; ultimately giving a shit about the same stuff. I help out at The Modernist Magazine, and I suppose seeing people do it for themselves made us think "why not?". I recently came out of a long term relationship, and it seemed like a healthy idea to channel my energy into Rueville instead of dwelling on the negatives.  
I suppose the professional world isn't as "professional" as you may think. Everyone's a human being; as long as you're being yourself and staying true to your laurels, you'll be fine. I've spent 30 minutes proof reading an email before, to only receive one back with no regard to correct sentence structure. There's far more productive ways of spending 30 minutes. 

Do you both have different roles to play in your partnership? Who does what?

As ridiculous as it may sound; Rueville is 50% Jacob and 50% Jack. We're both sending emails, we're both sitting on indesign for hours, we're both dealing with the "housekeeping". We're not some self appointed bullshit title, we just do what we do. Be it mundane or magnificent, the "roles" of Rueville are totally split down the middle. But it's an unspoken thing, we're almost telepathic. We know each other's strengths and we help each other with our weaknesses.

How do you see your studio’s character and ethos? Does this help with gaining contributors? 

From day one the brief was "we're doing this for ourselves; we're the target market". We're staying true to the things we like, and staying core to what matters. We're not in it to make money, it's about having a good time. I suppose we listen to the voices in our head, and not the people around us. 

How would you describe your design process, from idea to final resolution?

It's all fun. When it starts to do my head in and stops feeling fun, Jack brings the positivity and we talk about what's not working, inhale, exhale, and get back to the grill again. It's very much a fun and collaborative effort.

What are your inspirations within the design world (or outside)? 

Tough question. My top four (it was going to be five but there is too many to choose) humans of all time, and I hope they don't need an explanation. 
- Wim Crouwel
- Ricky Powell
- Beastie Boys
- My Mum

Finally, Where do you see Rueville in the future?

Hopefully still on the shelves, but selling. Still true to the brief, still true to ourselves. Having fun. Having fun, and having fun.

Trust all is well.
Jacob

Thursday, 4 February 2016

OUGD502 - PPP2 - Study Task 01 - Taking Care of Business - Presentation

Instead of presenting our proposed business in the form of a basic Powerpoint slide, we wanted to reflect our work style which we decided would be best portrayed through a video. The video reflects our fun and exciting style as well as showing the very hands on approach we take to our work.

The set of the video included vibrant colours and plants to get the viewer excited by the work we produce and also reflect the nature of the business such as the relation to the Aloe vera plant. We carefully picked the song that would play over the video to ensure it was upbeat, got the viewer excited and maintained there interest in the video.

After presenting the video it was suggested that we could actually offer the service of video/stop motion to our list which, as a group we hadn't even thought about. We as a group thought this was a great idea as we really enjoyed creating the presentation video and would love to incorporate it into further projects. 

One thing that was pointed out that the presentation lacked was that we didn't display any examples of our own work. In a similar fashion to how we showcased which stock we would use, we should shown examples of our own work so the client could get a really sense of how we work.

So after the presentation it was time to think about where we could take the business next. I think the next stage would be to start to go into an in depth branding of the business, forming a polished and finalised identity. Then using the identity to produce all the necessities such as business cards, letterheads, website etc.. After we were happy with our overall identity it would be on to actually producing some work, contacting some potential clients and generally getting our name out there within the industry.





Monday, 25 January 2016

OUGD502 - PPP2 - Studio Brief 01 - Creative Report - Creative Concern - Jacob D'Rozario

Jacob D'Rozario
Designer at Creative Concern and co-founder of Purple Collective.


How do you function creatively? 
Having projects outside of work help me to function more creatively. Sometimes you can get stuck in the rut of doing client based work that it’s hard to be inspired outside of a set of strict brand guidelines and budget.

Doing personal projects always helps to keep things fresh, learning new techniques, experimenting, even with things which aren’t always design related (such as Purple Collective). Creativity comes in many forms which I like to explore through reading, writing, music, cinema, art and they can all inspire each other interdisciplinary.

When a client turns up with an assignment, how is it handled? 
It depends on whether it’s tendered work (one we have to pitch for) or a brief set by a client. Usually when a brief comes in from the client it will go to the advocacy team (account handlers), they will read the brief and negotiate costings based on an daily rate and then any applicable print costs (or development costs if it’s a website/app).

Once it’s been costed and approved by the account manager we’ll have an initial meeting to discuss the brief, in the meeting is usually: the client, at least one designer, the account manager and if it’s digital project then a developer. We also have researchers, copywriters, strategists, PR and a video team which will get involved at different stages depending on the project.

After meetings and a concept of the project has been decided we start work on the initial designs. Usually it’s good to present a few different options to the client. I find the best way is to present three concepts: one that’s fairly safe, one that’s out there, and one that’s in the middle. Usually the client will pick either the safe/middle option, however if you’ve worked with them in the past and have a good relationship they will let you push the boat out and deliver a project which is slightly ‘out there’.

After designs have been agreed they’ll usually be a series of developments and refinements which includes some client amends (we offer a round of amends in the original costing and anything outside of this gets charged at an hourly rate). Once the client is happy with the finished design and it’s signed off it is then artworked for print and sent to the production manager. If it is a digital job such as an app or website it will get passed on to the digital team to develop and code.

If you’re struggling for inspiration how do you overcome this?
I find nowadays a lot of people fall into the trap of just looking on Pinterest for inspiration and copying something they like. While it’s okay to be inspired by design boards online I find there’s so much more inspiration in other things (on a side note my favourite blogs are It’s Nice That, Jjjjound, Convoy, Colossal and Dangerous Minds).

As a designer and creative it’s important to be inspired by all disciplines of art, design, architecture, fashion, product design etc. Even finding inspiration outside of these in things such as nature, science and music can be a refreshing change. Visiting an art exhibition, reading a book, going for a walk can all be as inspiring as trawling through pages of Pinterest. I find you learn and are inspired more by personal experiences rather than online ones.

What designers influence you / who are your design heroes? 
Being from Manchester Peter Saville is an obvious choice. I was lucky enough to work with him on a small project which was pretty bonkers! I love the illustration work of Malika Favre who I recently saw talk at Manchester Design Festival last year. Stefan Sagmeister is always an inspiration and his books are great references. Modernism is still a great influence and I based my dissertation on it. Paul Rand, Jan Tschichold, David Carson, Adrian Shaughnessy, Dieter Rams, George Lois are a few names on my bookshelf.

Did you make any mistakes at university or in your career? 
Yes lots of mistakes!

If so how did you overcome this? 
You have to make mistakes in order to learn from them. I know it sounds very cliche, but it’s true! There have been jobs where I’ve made schoolboy errors and only realised when it’s come back from the printers. You acknowledge what you've done wrong, learn from it and try and not do it again.

Sometimes though mistakes aren’t always negative, you might be trying a new creative technique or messing around with a new bit of software with undesired results. Even though what you create wasn’t what you originally intended it might take your project in a new direction. If you look at stuff like glitch art which has exploded over the past few years. Glitches are usually something wrong or a mistake in the code, and now it’s been exploited to create artwork and interesting designs.

Did you do a lot of work experience / internships while you were studying for your degree? If so, how did this impact you? 
Our course offered a ‘sandwich year’ where you could do a year industry in-between your second and third year, effectively turning it into a four year course. I opted not to do this and instead found my own placements in the holiday breaks in the summer/easter etc.

I was a design editor for the university newspaper for a year and also did two internships in the summers of the second and third year of university. The second internship eventually ended up offering me some freelance work which was a great opportunity. Although it can be stressful and hard to juggle doing placements with your uni work it is really valuable. It’s an ever-growing and competitive industry and it’s almost impossible to get a job as a designer if you don’t have any prior experience. 

I’d definitely recommend doing a few internships before you graduate, and if your course offers a sandwich year I’d take that. 

Did you find this influenced your style or the way you work?
It didn’t really influence my style of work, however it did help with the way I worked. The workflow when you’re in an agency is much different and you gain software knowledge you don’t even touch on in university. 

One of the major things I learnt while doing placements was artwoking jobs for print and using InDesign, something which I now use everyday, however you don’t really get taught how to use it properly in university.

Have you ever had a project where you disagreed with the client’s direction and if so how did you handle it? 
Yes this happens all the time, it can go a couple of different ways depending on the relationship with the client. Sometimes they just see design as a service and they want things entirely their way, you can do your best to offer your opinion but most often you have to come to a resolution and meet somewhere in the middle – after all they are paying you.

However some clients are more open to your opinion, everyone likes to think they’re an art director, but at the end of the day the client is paying you for your professional creative opinion. If you can support your decision with rational facts about why you designed something in a certain way, more often than not you can win the client over and get them to agree to do things your way.

I always like to use the analogy of a hiring a plumber. You wouldn’t question him about the way he’s fixing your boiler and tell him to do it a different way. He’s a professional and he’s qualified in fixing boilers. We’re designers and we’re qualified in creating professional looking things, we know what works and what doesn’t work. Sometimes the clients judgment is clouded by their own personal tastes. They have to realise that more often than not, the outcome isn’t for them. It’s for an audience, and we’re designing something without objectivity that the audience will connect with.

What are your hopes and plans for 2016?
I hope to learn a bit more about UX design and am looking forward to Adobe’s new software called Comet which should launch soon. I’m currently getting to grips with a new tool called Sketch which I’ll hopefully learn more of.

Outside of that I want to read more books, take more pictures, watch more films, and generally just absorb more content and learn new things! Hopefully we’ll get things moving with a bit more momentum on Purple Collective as well, and have a few collaborations in the pipeline for that.


Thanks,

Jacob